Asahi Photo is a UK based camera and lens repair company specialising in film cameras, including the Asahi Pentax 6x7, Pentax 67 and Pentax 67II models.
With over 15 years in continuous production, John Riley revisits this versatile Pentax all-in-one walkaround solution. Does the Pentax 18-135mm match up to modern expectations? With sample photos, MTF & CA charts along with further reflection John provides the answers.
John Riley reviews the super versatile Pentax F 35-70mm zoom lens from the late 1980s. Easily purchased for very little expense, can this film zoom hold its own on digital sensors? John rigorously tests the lens to find out.
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Upload your photos to the main gallery to be in with a chance of winning the accolade of Photo of the Week. The current prize is a 128GB EVO Plus microSD memory card with SD adapter, courtesy of our friends at Samsung.
Congratulations kasperbergholt and Flan for your successful entries in the recent photography competitions Monthly #171 - Summer's End and Weekly #989 - Vintage.
Why not join in by submitting your photos to the latest competitions.
Photograph titled 'Into the woods' by sueriley selected as Pentax User's Photo of the Week.
Asahi Photo are offering free SLR health checks exclusively for the Pentax User membership.
Photograph titled 'Bricks and Branch' by LennyBloke selected as Pentax User's Photo of the Week.
Photograph titled 'Corgarff Castle' by grahamwalton selected as Pentax User's Photo of the Week.
In our sequence of articles covering the different of series of Pentax cameras and lenses, John Riley researches the leap from manual focus to auto focus with the introduction of the F Series.
John Riley reviews the Pentax MX-1, or more specifically reviews the SMC Pentax 6-24mm f/1.8-2.5 lens found on the Pentax MX-1.
It's 1991 and PENTAX piles on the muscles with the arrival of the Z series cameras. John Riley researches some of the latter film era camera models.
In our sequence of articles covering the different of series of Pentax cameras and lenses, John Riley turns his attention to the KA mount and A Series, that featured electronic contacts allowing for communication between camera and lens which opened up a new world of exposure control.
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